Museum Assignment: Portrait Comparison Between the 17th and 19th Centur

The Flemish seventeenth century artisan Peter Paul Reubens and the nineteen century French artist Jean Auguste Dominque Ingres had little in common besides their occupation, as both utilized very different styles in their art. Reubenss work is classified to a lower place the Baroque style, a period between 1600 and 1750 as a contrast to the earlier perfection of Renaissance art, whereas Ingress work is under Neoclassicism, which praised the Greek and popish classics that inspired the Renaissance artists (Kleiner). Yet the two separate time periods and painting styles that influenced the painters also share small similarites, through visual quality and iconography. Reubens portrayal of Susanna Fourment and Ingress portrait of Franoise Poncelle clearly belong to the specific chaste movements, but some aspects of painting remain timeless, with each artist drawing inspiration from prior work. Peter Paul Reubenss paintings were heavily influenced by his studios location in Antwerp. The citys banking industry led to an emphasis upon industrial plant that a family could purchase, often within the upper middle class instead of the immensely wealthy. This emphasis allotted more time to be put into portraiture, in place of the large scale church altarpieces or palace paintings, which could be displayed in the familys homes with more modesty. The Baroque period, a term that comes from the Portugese word barroco, or irregularly shaped pearl (Kleiner), is known for its bright colors, emphasis on realitys relationship to fantasy, theatric quality, and dramatics. Many of Reubenss paintings are allegorical, colorful, and inspired by numerous artists of the past as well as his current time. After the Renaissance period, artists took the classically influ... ... This painting style emphasized natural human system instead of Smooth finishes replaced thick swirls or dabs of paint to accurately convey the human form, which is shown explicitly in Ingress portrait. Although both pieces are portraits, each portrays the musical theme in differing manners. The harsh lines and blurred strokes convey a mysterious cast upment to Reubens portrait, whereas the defined lines and photographic detail within Ingress portrait attach a formal connotation. The demand for home based patronage spread from Antwerp in the late sixteen hundreds into the early eighteen hundreds in France, yet what makes a portrait truly exemplary moved with the time shift. Each work reflects the time period while continuing to explore parallels between various artistic styles as well as movements, connecting artists together through their differences and similarities.